He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.
It’s rarely a smooth ride for actors who break out on television to transition to movies. These days, the jump has become even more trecherous, with streaming creating a chasm. The Stranger Things cast members are experiencing this phase as we speak, with even Millie Bobby Brown — the show’s breakout performer — still sticking almost exclusively to streaming films. A few years ago, the Riverdale cast faced a similar hurdle after the show concluded its run in 2023. Each of the five top-billed stars of that teen drama series has found success in their respective careers. Cole Sprouse has a movie with Matthew McConaughey coming out; KJ Apa is set to star in a James Stewart biopic; Camila Mendes will star in this summer’s Masters of the Universe; Madelaine Petsch has headlined The Strangers reboot trilogy.
But of all the Riverdale cast members, Lili Reinhart has charted perhaps the most interesting path. A critically acclaimed thriller that she starred in last year recently witnessed a huge viewership spike at home. Reinhart, who played Betty Cooper in Riverdale, starred in the box-office hit Hustlers in 2019. She followed it up with the romance drama Chemical Hearts, the romantic comedy Look Both Ways, the limited series Hal & Harper, and the horror-comedy Forbidden Fruits — she executive-produced the first two movies. She also exec-produced the 2025 thriller, which marked the feature directorial debut of television veteran Uta Briesewitz.
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
The movie we’re talking about is American Sweatshop, in which Reinhart plays a content moderator who believes she has witnessed a crime while sifting through videos. The premise has been explored in movies such as Steven Soderbergh’s Prime Video thriller Kimi, the Alfred Hitchcock classic Rear Window, and Brian De Palma’s Blow Out, which itself was inspired by Michelangelo Antonioni’s Blow-Up. Also featuring Daniela Melchior, American Sweatshop received positive reviews and is now sitting at a “Certified Fresh” 77% score on the aggregator website Rotten Tomatoes. The site’s consensus reads, “Led by Lili Reinhart’s powerful portrayal of a deteriorating mind, American Sweatshop delivers a bracingly tense exploration of the dark side of digital labor and 21st-century disillusionment.” According to FlixPatrol, it was **among the most-watched movies on HBO Max globally **over the weekend.
Stay tuned to Collider for more updates.
American Sweatshop ](/tag/movie/american-sweatshop/)
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Barry Levinson, Jason Sosnoff, Tom Fontana, Anita Elsani, Uta Briesewitz
American Sweatshop follows Daisy Moriarty and her colleagues as they navigate the underbelly of the internet, working to evaluate harmful content for social media. Struggling with her personal life, Daisy becomes dangerously involved after encountering a particularly violent video, leading her into a perilous quest for accountability.