Published Jun 13, 2026, 8:00 PM EDT
Rohan Naahar is a News Writer for Collider. From Francois Ozon to David Fincher, he’ll watch anything once. He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.
In just a few weeks, Matt Damon will probably be the face of the biggest movie on the planet, The Odyssey. It won’t be surprising if the epic turns out to be Damon’s highest-grossing film in a leading role, overtaking his 2015 sci-fi film The Martian. While Damon has starred in bigger blockbusters — two of them, Interstellar and Oppenheimer, were directed by The Odyssey’s Christopher Nolan — he didn’t play the lead in them. Damon has always moved seamlessly between exuding main character energy and slipping into an ensemble. And while he played an indispensable part in both Interstellar and Oppenheimer, he was just as outstanding as a supporting player in a Western blockbuster from 2010.
The movie in question is currently streaming on Peacock in the United States, but it won’t be around for much longer. The film was headlined by Jeff Bridges and served as a grand launchpad for a young Hailee Steinfeld. The movie also featured Josh Brolin in a menacing villainous performance. That’s the thing with the Coen Brothers; actors show up regardless of the length of their roles. And their faith in the acclaimed filmmakers really paid off with this movie, which ended up grossing more than $250 million worldwide and receiving 10 Oscar nominations.
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
We’re talking, of course, about True Grit. The Coens insisted that the movie was a new adaptation of Charles Portis’ novel and not a remake of the 1969 Western starring John Wayne. True Grit was critically acclaimed, and it is now sitting at a “Certified Fresh” 95% score on the aggregator website Rotten Tomatoes. The aggregator’s consensus reads, “Girded by strong performances from Jeff Bridges, Matt Damon, and newcomer Hailee Steinfeld, and lifted by some of the Coens’ most finely tuned, unaffected work, True Grit is a worthy companion to the Charles Portis book.” The Coens made one more Western, The Ballad of Buster Scruggs, before splitting up. They now work separately: Joel Coen made The Tragedy of Macbeth with Denzel Washington, and **Ethan Coen directed two installments of a spiritually connected trilogy of dark comedies. You can watch True Grit on Peacock until July 1. Stay tuned to Collider for more updates.
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Joel Coen, Ethan Coen
A stubborn teenager enlists the help of a tough U.S. Marshal to track down her father’s murderer.